Amelia has angst. She's 15 and in love with a 21 year old. He's everything she's ever wanted...funny, cute, smart, deep, clever, goes to uni, thinks she's interesting. There's only one problem: he's 21. She knows that it's impossible, that he'll never look at her the way he looks at Kathy, the 22 year-old who attends the same uni as Chris, and is pretty, uninterested, and the subject of an on-again-off-again crush known as "the Kathy virus."
What's the use? So she enjoys the time she has with him. She treasures the moments they get to talk at the registers, rejoices every time he stays after his shift to help her with her homework, or invites her out after work. Amelia pines away for the boy she will never have, falling hard.
Chris has his own issues: he's focusing on Kathy to try and push Michaela out of his head. That entire situation was too messed up to even mention, except when he's too lubricated to use good sense, and his true emotions come out onto the page in waves of bitterness only too easy to relate to, and maybe a little to close to home at times. Amelia figures into his story in flashes, bits and pieces here and there. In his Search for the Perfect Woman, however, she doesn't make the cut. Let's face it, he's desperate, but not that desperate.
As time passes, these two come into closer orbit, sharing stories, and life views. They begin to connect in a way that even he recognizes as meaningful. It doesn't change the circumstances, or the fact that she's a high schooler on her way up. He's about to finish uni and still in some kind of holding pattern, with no real direction for his life. They are in different places, this can't possibly happen.
Then there is that horrible night when she is so drunk, and that other boy from checkout comes on to her. It's just a kiss, what's the big deal. Amelia didn't know Chris could be such a dick! Teasing her mercilessly, calling her out in front of everyone - why does he even care? Does he care? Feelings are so complicated...
The story flips back and forth between diary-style narratives, letting each tell their side. Buzo accurately captures both ages and voices very well. It was a love story, but not the kind you see on TV. It was so authentic. I will look for more by this Aussie author. Her prose is refreshingly real.
If you liked this, check out:
Holier Than Thou by Laura Buzo (currently only available in Australia)
Not Exactly a Love Story by Audrey Couloumbis
Why We Broke Up by Daniel Handler and Maira Kalman
How to Say Goodbye in Robot by Natalie Standiford
What's the use? So she enjoys the time she has with him. She treasures the moments they get to talk at the registers, rejoices every time he stays after his shift to help her with her homework, or invites her out after work. Amelia pines away for the boy she will never have, falling hard.
Chris has his own issues: he's focusing on Kathy to try and push Michaela out of his head. That entire situation was too messed up to even mention, except when he's too lubricated to use good sense, and his true emotions come out onto the page in waves of bitterness only too easy to relate to, and maybe a little to close to home at times. Amelia figures into his story in flashes, bits and pieces here and there. In his Search for the Perfect Woman, however, she doesn't make the cut. Let's face it, he's desperate, but not that desperate.
As time passes, these two come into closer orbit, sharing stories, and life views. They begin to connect in a way that even he recognizes as meaningful. It doesn't change the circumstances, or the fact that she's a high schooler on her way up. He's about to finish uni and still in some kind of holding pattern, with no real direction for his life. They are in different places, this can't possibly happen.
Then there is that horrible night when she is so drunk, and that other boy from checkout comes on to her. It's just a kiss, what's the big deal. Amelia didn't know Chris could be such a dick! Teasing her mercilessly, calling her out in front of everyone - why does he even care? Does he care? Feelings are so complicated...
The story flips back and forth between diary-style narratives, letting each tell their side. Buzo accurately captures both ages and voices very well. It was a love story, but not the kind you see on TV. It was so authentic. I will look for more by this Aussie author. Her prose is refreshingly real.
"I just got back from a thoroughly enjoyable evening in the company of Amelia, whose cult following is gaining momentum. If I were less of a prick, I might feel a bit guilty about the way I've been torturing her this week. But I think we all learned something. I took her for pizza after work and let her drink Big Girl drinks. I know, I know, but if I don't lead her astray, who will?*Library Link*
Somehow I ended up telling Amelia about Michaela. I really must have forgotten that she is a youngster and should be treated as such. Being the gentleman I am, I walked her home. When we got to her house, she peeked through the front curtains before letting herself in. That's what reminded me of Sophie from The BFG.
I really like talking to her. I like how she turns everything over and over in her mind, and that she doesn't censor herself. Being with her is easy. I seem to laugh....
1 a.m.
If she were even just two years older, she'd be leading the Field," (Buzo pg. 116, 2010).
If you liked this, check out:
Holier Than Thou by Laura Buzo (currently only available in Australia)
Not Exactly a Love Story by Audrey Couloumbis
Why We Broke Up by Daniel Handler and Maira Kalman
How to Say Goodbye in Robot by Natalie Standiford
Buzo, Laura. (2012). Love and Other Perishable Items. New York: Alfred A. Knopf.
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